Piracy essay

Piracy essay

Piracy Essay,Essay topics

WebThe book provides a rich and detailed picture of the pirate life, from the motivations behind piracy to the daily lives of pirates (Rediker & Marcus, p. 1). By comparing the movie to WebOct 8,  · Essay on Piracy Piracy. COMM (03) Team #6 PIRACY: AVOIDING ATTACKS AND MINIMIZING THE IMPACTS Brock Josuttes Nathan Keck WebJan 4,  · Web Piracy has drastically impacted the music and movie industry and by downloading illegally on the Web, millions of Web users switch billions of dollars worth of WebPiracy is the unauthorized copying, counterfeiting or distribution of software. Piracy is essentially stealing someone else's intellectual property. The five most common types of WebDigital piracy is the act of obtaining an illegal and unapproved copy of digital content from a third party not authorized to distribute the content. Pirated material is often free, of poor ... read more

The lifespan of copyright vary according to the author and the duration of publication. The creative works done by employees would last over ninety five from the time of publication. The same copyright would last for more than one hundred and twenty years from the time of creation. Copyright for works done beyond have a lifetime projection while those for materials published and created before this time got seventy years of existence. One is most likely going to be dead long before the copyright for their innovations and creative works expires. A person does not need to have created work to own copyright for it. Work created and developed by employees for instance essentially belongs to the employer who claims a copyright for the same.

This happens under an arrangement known as works for hire. This means that a copyright can be traded supplied and purchased like any other property. This is the way the copyright system becomes organized to enable authors benefit economically from their works. Most authors are normally not able to produce their work by themselves. They sell their creative work — a book, music, play and poem to the publishers at a fee. This fee becomes known as royalty. This process becomes known as copyright ownership transfer. It goes on for thirty five 35 years during which the author or his beneficiaries can decide to reverse the ownership.

This does not mean that they have to return or refund the publishers royalty already received. The law provides this leeway for authors and their heirs just in case some unscrupulous publisher decides to short change the deal. The economic reason for registering for a copyright has to do with encouraging new and fresh innovations. It encourages the utilization and creation of new products. This makes copyrighting a utilitarian activity. It develops into a grant system that enables the creation of new works to be maximized by ensuring maximum rewards to the authors. The time between creation and purchase becomes minimized to enable the property to become a public property. This of course reduces the long periods of waiting by the authors before they begin to reap from their work.

The charge on copyright is a crucial incentive towards the continuity of production of new ideas and products Martin, One of the key issues surrounding copyright in current times is the extension of copyright term. This has to do with the determination of the economic value and benefit of considering charging royalty or copyright fee to the authors in order to extend the copyright duration. This idea seems viable in the present day and age. It acts as an opportunity and incentive towards the creation of new ideas and products. The current trend shows an increasing work for hire model in copyrighting. The fee chargeable is assessment based on the contract signed between the creative personnel and the copyright claimant.

The intrinsic value of the copyrighted property becomes challenging to compute. This is especially regarding economic values of intellectual properties created in the wake of — The results of their quantitative analysis can be misleading bearing in mind the length of time for which they have existed. The fee chargeable on extension becomes computed based on how long the property has lasted and the change in its utilitarian value. The drop in the utilitarian value happens when a property loses legal protection and becomes a public property. The extension fee for the ultimate user becomes computed in the light of the foregoing.

The whole exercise calls for clarity on the use and users of public properties and incentives for creation of existing and new works. This means the total amount of royalty payable to the author by the time of expiry of the copyright term. The current challenge is to determine or estimate the values of the royalty to be paid on properties expiring after the current US Copyright Laws. It is not easy to develop a statistical model that can simulate the commercial viability of the properties in question. It is equally not easy to determine the average value of each property. Copyright specialists have resulted to concentrating on books, music and movies. This is against the backdrop that these three media productions are most likely still under production.

It is easy to determine their commercial values. The value of products that cannot be reproduced becomes negligible. The monetary revenues garnered from copyright properties flows to the authors in two forms — mechanical royalty and performance royalty. Mechanical royalty refers to the revenues collected in lieu of production. Performance royalty comes from the sale of tickets during musical concerts, radio plays, television shows and commercials. The traditional concept of copyright found its root in the civil legislation of the country or origin — England.

All countries colonized by England adopted the same civil regulations and hence the traditional method of copyrighting. This differs with the philosophical approach to copywriting as is evidence in the recent times. This approach looks at copyrighting purely from the utilitarian point of view. It identifies the purpose of copyrighting as stimulation for the production of fresh and new works Goldstein, The future copyright legislation will tend to focus on the extension of copyright term as an incentive that increases investment. The aim of these incentives will be to encourage authors to write more, producers to produce more and publishers to continue large scale publishing. This means that ownership and copyright issues will become the centre stage of the creative economy.

This will make Cultural and media producers become more sensitive towards copyrighting. This is because the approximated economic significance of the royalties earned from copyrights will stimulate more activity by the cultural and media producers. Copyrighting will become the alternative source of livelihood for the new and existing cultural and media producers. The copyright system will become more synchronized and organized. The copyright formalities such as notice, deposit and registration, will become better articulated. The organized system will result in prompt rewarding of the independent authors and employees working under the work for hire arrangements.

Many stricter regulations will aid in reducing to zero occurrence crimes pertaining to copyright infringement. Regulations that awards damages to authors whose rights have become infringed get implemented. The broad public law will affect the copyright legislation. The result will be a more a linear and smooth copyright operating system. Reduction in piracy and more awareness to the author rights and media producer rights will prevail McJohn, The issue of fair use plays a crucial role to the future of copyrighting. It involves the right to access and use information to the greater good of the public. The advantage of the future cultural and media producers has to do with the current copyright laws that allow a small lee way on the concept of fair use.

Cultural and Media producers can now borrow from the protected works of others for purposes of critical analysis, reporting as part of news and teaching or research. The only caution for them has to do with preserving the value of the copyrighted work. This projects the growth and expansion of the creative economy which depends heavily on peer reviewed information. Works done by others will find new insights and excellent ideas and products birthed in the process. There is a need to tighten the copyright laws and their enforcement. A well organized and functioning copyright system acts as an incentive towards increased investment in creativity and production of new ideas and products. The future cultural and media producers have an edge with the special exception on the fair use legislation.

There era will see a rise in creative activities and the growth of the creative economy. Albanese, J. Combating Piracy: Intellectual Property Theft and Fraud. New Jersey: Transaction Publishers. Fishman, S. The Copyright Handbook: What Every Writer Needs to Know. United States of America: The NOLO. Goldstein, P. International Copyright: Principles, Law and Practice. New York: Oxford University Press, Inc. Martin, J. Copyright: Current Issues and Laws. New York: Nova Science Publishers, Inc. McJohn, S. Copyright: Examples and Explanations. New York: Aspen Publishers, Inc.

Need a custom Essay sample written from scratch by professional specifically for you? Copyright and Piracy. Learn More. We will write a custom Essay on Copyright and Piracy specifically for you! Not sure if you can write a paper on Copyright and Piracy by yourself? Pirated material is often free, of poor quality, and robs the content maker of royalties. Piracy can raise prices and, in the case of some content creators, deprive artists of the funds needed to continue producing content. By illegally obtaining content, pirates can unwittingly ensure that content production is stopped.

Essay due? We'll write it for you! Any subject Min. I urge you, the reader, if you have ever pirated digital content to rethink your life choices. While you may believe that piracy is a victimless crime, I, and many others including several of the authorities cited in this paper, believe that piracy can have some serious repercussions. Not only is piracy a legal offense which can have some heavy penalties, but piracy makes it difficult for artists, especially independent artists, to continue to produce content, and lastly, piracy is morally repugnant, and can lead to further criminality in the future.

This paper aims to provide further and more personal reasons as to why piracy hurts both the artist and the consumer, exploring the legal consequences, examining how piracy can negatively impact indie artists, and considering the moral implications of piracy. If caught, pirates can be taken to both criminal and civil court. Software Alliance Either court has an undesirable price tag. Software Alliance. Music piracy can be even more financially disastrous. In the Recording Industry of America, or RIAA, started pursuing civil action against piracy with the same zest and zeal as Anne Rice going after a fanfiction writer.

There have been several suits where pirates have been forced to pay a large fine per song downloaded. New Media Rights A particularly horrifying case is Capitol vs. Research has shown that piracy is extremely prevalent among university students. Robertson et. The student would be financially eviscerated. Most reasonable people would say no. Piracy may seem inconsequential, but can have extremely consequential repercussions if the pirate is caught. The simple explanation for how media works is this: creator makes content, creator releases content into the wild with a reasonable price tag, content is hopefully consumed by marauding hordes of avid fans, creator gets paid, lather, rinse, repeat.

If you pull out even one part of the equation, the entire cycle collapses. Musicals are funded by private investors, indie artists are lucky to have even that. Piracy kills kids. Is that really what you want? Piracy is, at its heart, stealing. In fact, according to research conducted by Kirsten Robertson et. As mentioned above, downloaders are more likely to engage in other criminal activities. According to the parameters of Robertson et. What is this paragraph? Would you punch Beyoncé in the face? Probably not. Several artists object to the piracy of their work.

A particularly moving example is a tumblr post from Lin Manuel Miranda, the creator and star of the musical Hamilton. A tumblr user asked where they could find the bootleg a pirated version of a live theatrical production of the then off-broadway Hamilton. Miranda et. A bootleg cannot capture it. As Miranda explained, creating quality content takes a lot of time. Content creating is hard, emotional, work, and it is my belief that the artist should have control over how people experience their content. Artists are people too. Now, there are some people who disagree with me. While many people see piracy as stealing, disrespectful, and damaging to sales, not everyone shares this view. There are some companies, such as HBO, that find piracy flattering.

In this sense, piracy is like taking a car for a test drive. Piracy can be especially harmful to indie artists, who, unlike HBO, are not necessarily flush with cash. As mentioned above, piracy makes a much larger dent in the earnings of an indie content creator than it does in the wallets of corporate backed creators. Piracy can have serious financial and legal repercussions that can derail your whole life. Piracy hurts the artists that you love so much by depriving them of the capital that they need to continue to produce work. Piracy is the equivalent of stealing, and the pirate is on the same moral level as thieves and other criminals.

As Robertston et. proved, piracy can lead to further criminal activity.

We use cookies to enhance our website for you. Proceed if you agree to this policy or learn more about it. Buy now, save instantly, get the job done on time! Type of paper: Essay. Topic: Business , Law , Journalism , Cinema , Marketing , Media , Criminal Justice , Crime. Pages: 2. Words: Media piracy is a type of copyright infringement, particularly on audio-visual property. Also known as warez it stands for producing unauthorized copies of all kinds of media, such as video, audio, software, photos. The number of such cases has been growing significantly since the late s, as at that time the opportunity of producing unauthorized duplications of copyrighted items arose.

Copies of original discs, such as CD or DVD and other data carriers are nowadays sold all around the world, usually at sufficiently lower prices, than the copyrighted originals. Media piracy rocketed first in the recreation industry, when the first video equipment, namely VHS, was introduced. First unauthorized copies were produced by private video cameras, usually hand-held, recording films and videos being shown at cinemas. Nowadays, such means of producing piracy items are only used for copying premiere movies, which are not available on DVD, thus the piracy DVDs come up earlier than the official ones.

Unauthorized copying of CDs containing music started to be observed as a worldwide phenomenon particularly in such regions as Asia and Latin America. According to researchers, the estimated total number of unauthorized CDs, produced over the period alone was more than million. It is especially difficult to prevent copyright infringement in the music sphere, since the illegal CDs are usually not observed in established retail stores or special shops, while this merchandise is sold through on-street retail outlets and different personal selling points at very low prices, which makes it practically impossible to control the turnover. As for the means of prevention of media piracy, it should be outlined that it is not clearly stipulated in the laws of different countries, how to classify this type of crime, especially considering sales of illegal copies of media works over the Internet.

In most cases the guilty parties are fined at certain percentage of the damage caused to the copyrighters, however, in some situations criminals are sentenced to jail. Such means are imposed mostly on those people, who manufacture illegal CD or DVD products in large quantities for further sales. In certain countries, media piracy is rarely or absolutely not prohibited, because of either privacy laws, which do not clearly guarantee rights on intellectual property and safeguard the copyright interests, or the fact that it is simply allowed to handle a niche of grey merchandise as it is not prohibited legally. However, not all people see media piracy as a problem. For some it is a natural way of social evolution, which is inseparable with the rising influence of the Internet, which has changed the social values over the last decades.

The supporters of this point of view claim that although media piracy damages the companies, operating on the media distribution market, it still benefits the authors, copyrighters and artists, as it increases the awareness of the public of their newly introduced products at a speed many times higher than classic means of promotion. It is claimed that those members of the audience who have downloaded the music or movies from the Internet are usually keen on buying official CDs and DVDs, since otherwise they would not have discovered them. These accounts for the fact, that media piracy may not only have negative influence on the sales of media, but, on the contrary, facilitate purchases.

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A Problem of Digital Piracy in Modern World,Ethical Issues In Information System In Relation To Research Paper Sample

WebExplains that piracy is the act of robbing or behaving with illegal violence at sea. the period from to is known as the golden age of piracy. Explains that modern pirates WebOn the one hand, Piracy essays we publish here distinctly demonstrate how a really exceptional academic piece of writing should be developed. On the other hand, upon WebThe book provides a rich and detailed picture of the pirate life, from the motivations behind piracy to the daily lives of pirates (Rediker & Marcus, p. 1). By comparing the movie to WebOct 8,  · Essay on Piracy Piracy. COMM (03) Team #6 PIRACY: AVOIDING ATTACKS AND MINIMIZING THE IMPACTS Brock Josuttes Nathan Keck WebPiracy is the unauthorized copying, counterfeiting or distribution of software. Piracy is essentially stealing someone else's intellectual property. The five most common types of WebNov 11,  · Media piracy is a type of copyright infringement, particularly on audio-visual property. Also known as warez it stands for producing unauthorized copies of all kinds of ... read more

Research Paper Business - Miscellaneous. They include copyrights, patents, trade secrets, and trademarks. Keyword s Filter by Keywords: add comma between each. What is this paragraph? This includes such secrets as the ingredients used in making soft drinks like coca cola. Definitions of self control theory and hacking will be provided to understand the general overview and the linkage between these two terms.

Obama Says Piracy essay Long SOPA. Information Technology. Allbriton, Christopher. Sublette, V. The time between creation and purchase becomes minimized to enable the property to become a public property.